GLORIA MATARAZZO

A través de mi recorrido he incursionado en el uso de distintos lenguajes que me ofrecieron soportes diversos para abordar las distintas temáticas que tienen como eje las diferentes instancias de mi vida personal, mi afectividad y mis intereses con respecto a la vida , a mi mundo circundante y a la realidad que me toca vivir.

"Los sueños que nosotros soñamos y otros" explora el universo onírico como territorio de tránsito entre lo real y lo imaginario. Los sueños nos anteceden, nos guían y nos habitan. En esta serie, configuro narrativas visuales que emergen de mis propios sueños y de los sueños posibles de otros, donde el paisaje opera como contenedor simbólico y escenario de múltiples relatos.
Los objetos dialogan con estos entornos, adquiriendo densidad poética y activando resonancias simbólicas. La realidad se desestabiliza y da lugar a nuevas corporalidades y ficciones, en las que el tiempo abandona su linealidad para devenir una superposición de temporalidades subjetivas.
Trabajo con fotografías propias —de paisajes y objetos— que, al ser intervenidas, dan forma a composiciones que interrogan la relación entre lo real y lo irreal, y que proponen una mirada sobre la experiencia del tiempo desde la lógica de lo onírico.

Throughout my career, I have ventured into the use of different languages that have offered me various supports to address the different themes that have as axis the different instances of my personal life, my affectivity and my interests in relation to life, my surrounding world and the reality that I have to live.

"The Dreams We Dream and Others" explores the oneiric universe as a territory of transit between the real and the imaginary. Dreams precede us, guide us, and inhabit us. In this series, I configure visual narratives that emerge from my own dreams and from the possible dreams of others, where the landscape operates as a symbolic container and stage for multiple stories.

Objects engage in dialogue with these environments, acquiring poetic density and activating symbolic resonances. Reality becomes destabilized, giving rise to new corporealities and fictions in which time abandons its linearity to become a superposition of subjective temporalities.

I work with my own photographs—of landscapes and objects—that, once intervened, form compositions that question the relationship between the real and the unreal, offering a perspective on the experience of time from the logic of dreams.

Born in Buenos Aires, Argentina.

Attend the workshops of the artists Raquel Forner and Kenneth Kemble.
She studied Art Theory with Professor Jorge López Anaya.
Philosophy of Modern Art with Graduate Elena Oliveras.
Member of the Gen Creativity group, coordinated by the artist Emilio Renart. She carries out a Photographic Work Clinic with Fabiana Barreda.
INDIVIDUAL EXPOSITIONS
2021 :: Hamptons Fine Art Fair ,online , New York .USA
2013 :: Timoteo Navarro Museum. San Miguel de Tucuman. Installation and Photographs. Tucuman, Argentina
1998 :: FILO-Art Space. Buenos Aires, Argentina
1993 :: Giesso Space. Facility. Buenos Aires, Argentina
1991 :: Van Riel Gallery. Harrods in Art. Buenos Aires, Argentina
1990 :: Recoleta Cultural Center. Installation, Paintings and Objects. Buenos Aires, Argentina
1988 :: Attica Gallery. Paintings and Objects. Buenos Aires, Argentina
1980 :: Lirolay Gallery. Painting.Buenos Aires, Argentina

AWARDS
2003 :: 3rd Prize University of Belgrano.
1995 :: 1st Prize in the category Experiences. Argentine Association of Art Critics.
1992 :: 1st Prize CAYC América 92. Project for Public Sculpture.
1984 :: 2nd Prize in the National Salon of Santa Fe.

1st Mention Buenos Aires Stock Exchange Award.

1980 :: 1st Mention in the Almirante Brown Municipal Hall.

3rd :: University of Belgrano Award Mention.

2nd :: Mention. Givre Foundation Award.

Her paintings and photographs are part of important art collections in the USA, Canada, Peru, Chile, Japan, Italy, China, Uruguay and Argentina.

COMISARIADOS